Introduction
Charles D. Alexander
Henry Alford
William Barclay
G. K. Beale
Henry Bechthold
I. T. Beckwith
E. W. Bullinger
William Burkitt
Adam Clarke
Augustus Clissold
Thomas Coke
James B. Coffman
John N. Darby
Austin Farrer
William Fulke
Andrew Fuller
William Brown Galloway
John Gill
James Gray
David Guzik
George Leo Haydock
Ernst Wilhelm Hengstenberg
John Hooper
H. A. Ironside
Franciscus Junius
William Kelly
A. E. Knoch
Paul E. Kretzmann
George Eldon Ladd
John Peter Lange
Clarence Larkin
Joseph Law
John MacArthur
James M. MacDonald
William Marsh
Fredrick Denison Maurice
Heinrich Meyer
J. Ramsey Michaels
William Milligan
Henry M. Morris
William R. Newell
John H. Ogwyn
Ford Cyrinde Ottman
David C. Pack
Jon Paulien
J. Dwight Pentecost
Peter Pett
John A. Pinkston
Matthew Poole
Vern S. Poythress
James Stuart Russell
Ray Stedman
Joseph Augustus Seiss
Justin Almerin Smith
John Trapp
John F. Walvoord
Daniel Whedon
Christopher Wordsworth
William Brown Galloway, The Gate of Prophecy, Being the Revelation of Jesus Christ by St. John, Theologically and Historically Expounded, and Shown to Elucidate Various Prophecies of Isaiah, Ezekiel, Daniel, Zechariah & St. Paul. London, 1846. vol 2. See pp. 102-103.
The invention and the artillery which thus form so prominent an object in the history of the fall of the empire, are not omitted in the striking and expressive imagery of the vision. The artillery are aptly symbolized and named as lion-like and devouring "mouths" of the invading armies, out of which issued "fire, and smoke, and brimstone." The very elements of gunpowder are accurately expressed by these three words, not indeed in its dormant, but in its active state; in which the brimstone or sulphur acts merely subserviently as a means of procuring easy and rapid ignition, and the other two, which are the most important ingredients, resolve themselves into fire and an expansive vapour. The image is therefore sufficiently philosophical as well as popular.
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